FEMALE ANNOUNCER: THE FOLLOWING PROGRAM CONTAINS CONTENT WHICH MAY NOT BE SUITABLE FOR ALL AUDIENCES.

VIEWER DISCRETION IS ADVISED.

(crashing and screaming) - I heard her scream before she hit the windscreen.

- Jumpers don't normally scream.

Elena died.

- She topped herself.

- One of the victim's on the plane was Polish.

It was an undercover cop investigating a big immigration scam.

Weddings for passports.

- You keep your own photo on your desk.

- That's not me.

- Who is it then?

- My twin.

She's dead.

(speaks in foreign language) - You shouldn't have said what you did.

- About what?

- About my mother and Robert.

(gun shots and screaming) (gun shot) [CAMERA SHUTTER CLICKING] [MAN AND WOMAN SPEAKING FRENCH] [EXHALES] CHARLOTTE GAINSBOROUGH: ♪ VENEZ DANS MES BRAS ♪ CLOSER TO ME, DEAR ♪ DONNEZ-VOUZ À MOI ♪ ♪ SET ASIDE ALL FEAR ♪ RESTONS ENLACÉS ♪ ♪ POUR L'ÉTERNITE ♪ ♪ YES, YOU SHALL BE MINE ♪ TILL THE END OF TIME [MEN SPEAKING FRENCH] BOWDEN: GET IT TO THE TECHNICIANS.

GET IT DRIED OUT.

SEE IF THEY CAN GET IT WORKING, TOP PRIORITY.

[WOMEN SPEAKING FRENCH] MMM.

MMM.

[BIRDS CHIRPING] MAN ON RADIO: DETAILS OF YESTERDAY'S ATTACK ON THE CALAIS POLICE STATION REMAIN UNCLEAR, AND AUTHORITIES ARE REFUSING TO CONFIRM THAT ONE OF THE GUNMEN ESCAPED AND IS AT-- [APPROACHING SIREN] HI.

HI.

CAN WE TALK TO HER?

NO.

SHE'S SLEEPING, OR PRETENDING TO.

THEY ARE TESTING FOR SEPTICEMIA.

WHAT ABOUT JULIE?

SHE OK?

YEAH.

SHE'S DOING MUCH BETTER.

DON'T HOLD OUT MUCH HOPE FOR THE CUDDLY RABBIT, THOUGH.

BONJOUR.

HI.

YOU?

IT WAS PRETTY TOUGH LAST NIGHT.

I'M OK. YEAH?

GAEL TOOK ME OUT TO A GIG.

HOW WAS IT?

IT WAS A RELEASE.

HMM.

YEAH.

MUSIC CAN DO THAT SOMETIMES.

I DIDN'T LIKE THE MUSIC VERY MUCH, BUT WE HAD SEX IN THE CAR ON THE WAY HOME.

[EKG BEEPING] KARL: WHERE IS HE, ROSA?

WHERE IS HE, ROSA?

COME ON.

COME ON.

IT'S RUDE TO PRETEND TO BE ASLEEP WHEN YOU GOT VISITORS.

IT'S FINISHED.

ROSA, THIBAUT AND GUILLAUME BRIAND ARE DEAD, GARRIDO, AS WELL.

YOU'RE STUCK IN HERE.

YOUR BOYFRIEND'S OUT THERE WAITING FOR A FOOD PARCEL, HE'S GONNA HAVE TO WAIT A LONG TIME.

COME ON, ROSA.

TELL ME WHAT'S ON YOUR MIND.

[WHISPERING] There are more of us.

WHAT?

WHAT?

THERE ARE MORE OF US.

JESUS!

AAH!

GET THE-- AAH!

HA HA HA!

WHERE IS HE?

YOU!

WHERE IS ROBERT FOURNIER?

[ALARMS BEEPING] WHERE IS ROBERT FOURNIER?

WHERE IS HE?

SHE'S FAKING.

OH, OH, OH!

WHERE IS ROBERT FOURNIER?

SHE'S FAKING.

JESUS.

OHH... OHH... OHH... WHAT HAPPENED?

IS ROSA ALL RIGHT?

YEAH.

SHE'S FINE.

SHE MIGHT NEED A SHOT OF INSULIN.

SHE'S JUST TOOK A BITE OUT OF MY ARM.

OH, COME ON.

IS THAT TONE REALLY NECESSARY?

SHE'S A HUMAN BEING GOING THROUGH WHATEVER THE HELL SHE'S GOING THROUGH.

SHE'S NEVER GONNA TALK TO US.

WE NEED HIM TO TALK TO HER.

YOU'RE TELLING HIM THAT YOU NEED ME TO DO SOMETHING FOR YOU WHILE MY DAUGHTER IS LYING IN THERE WITH POLICE BULLETS IN HER BODY?

KARL: HEY, SHE'S NOT A VICTIM OF POLICE BRUTALITY.

SHE'S A MASS MURDERER.

SHE'S STILL MY DAUGHTER!

IT'S A SHAME YOUR DAUGHTER DECIDED TO-- LEAVE IT.

LEAVE IT.

LEAVE IT.

LEAVE IT.

SONNY... WHAT?

LISTEN.

I, UH---I MADE SOME PARENTING MISTAKES IN MY LIFE, GOD KNOWS, BUT I-- IF YOU'RE IN ANY WAY RESPONSIBLE FOR WHAT'S GOING ON IN THERE, YOU REALLY NEED TO HELP US.

YOU OK?

YEAH.

I'M FINE.

STOP ASKING.

THE DOCTORS SAID I USED EXCESSIVE FORCE TO GET HER OFF YOU.

IS YOUR TETANUS SHOT UP TO DATE?

[GULLS SQUAWKING] LOUISE, ELISE.

THE TERRORIST'S PHONE IS BACK FROM THE DEAD.

IT WAS USED DURING THE RAID TO CALL THE SAME MOBILE NUMBER 3 TIMES.

IN ALL LIKELIHOOD, THAT MOBILE BELONGED TO ROBERT FOURNIER.

THE FIRST TWO CALLS WERE RECEIVED IN THE CALAIS AREA, BUT BY THE END OF THE RAID, THAT MOBILE PHONE WAS JUST OFF THE KENT COAST.

HOW MANY MARINAS AND HARBORS ARE THERE IN THE AREA?

NEED TO CHECK THE DOCKS, AS WELL.

HE MIGHT HAVE HITCHED A RIDE ON SOMETHING BIGGER.

BOWDEN: WE NEED TO GET A MESSAGE TO ANYWHERE WITH MOORINGS UP AND DOWN THE COUNTRY.

GET THEM TO REPORT ANY UNREGISTERED BOATS, AND THEN I WANT ALL HANDS ON DECK.

GET OUT THERE.

HUNT THAT BASTARD DOWN.

YOUR DRINKS MACHINE NEEDS FILLING UP.

YOU COULD HAVE GOT OFF YOUR ARSE.

GOT TO LEAVE SOMETHING FOR YOU TO DO.

RIGHT.

I'M GOING TO SEE KAREN.

WHAT FOR?

SOME BEVVIES.

SOME FUN.

REMEMBER THAT?

WHAT TIME YOU BACK?

DON'T WAIT UP.

I MIGHT PULL.

NOT WITH CRISPS ON YOUR FACE.

[DOOR OPENS] [CELL PHONE CHIMES] ALL RIGHT IN THERE?

ANYBODY HOME?

COOEE?

[KNOCKS ON WINDOW] I'M GONNA COME ABOARD.

I HOPE YOU'RE DECENT.

IT'S IMPETIGO, SO IF YOU'RE DEVELOPING SUPPURATING SORES, YOU KNOW WHO TO BLAME, AND WE'VE PROBABLY ALL GOT IT BECAUSE, ACCORDING TO THE HEALTH VISITOR, WE HAVEN'T BEEN OBSERVING APPROPRIATE FAMILY TOWEL HYGIENE, SO THERE YOU GO.

UM, DON'T REALLY KNOW WHY I'M TELLING YOU ALL THIS BECAUSE THERE ISN'T A BLOODY THING YOU CAN DO TO HELP, BUT, UM, JUST, UH, IF YOU GET A SECOND, UM, CALL ME.

[DOOR OPENS] OH, SORRY.

HI.

HA HA!

HELLO.

THOUGHT THAT WAS YOU LURKING OUT HERE.

YES.

HELLO, YOUNG MAN.

OHH... HOW DID YOU GO AT THE DOC'S?

YEAH.

YOU WERE RIGHT--IMPETIGO... OHH...

SO, UM, VLADKA WOULDN'T TAKE HIM.

I DIDN'T KNOW WHAT ELSE TO DO.

I'M SO SORRY.

LISTEN.

DON'T WORRY ABOUT IT.

I HAVE GOT THE JOURNALIST WAITING IN MY OFFICE, THOUGH.

YEAH.

OK. UM-- I CAN TAKE HIM.

SORRY?

WOULD YOU?

SORRY.

I DON'T THINK WE'VE MET.

OH, THIS IS GEMMA.

SHE'S BEEN VOLUNTEERING HERE FOR THE LAST FEW DAYS.

YOU TWO MUST HAVE MISSED EACH OTHER.

IT'S LAURA.

HI.

LAURA ROEBUCK.

I KNOW.

HA HA!

UM, YOU'RE WHY I AM HERE.

JUST THOUGHT YOU WERE SO INSPIRING, I VOLUNTEERED.

OH, WELL, GOD, IT'S NICE TO KNOW I MAKE AN IMPACT.

WELL, I WAS A BIT OF AN ACTIVIST IN THE PAST WHEN I WAS YOUNGER, AND, UM, YEAH, I LET IT SLIP.

IT'S GOOD TO BE BACK IN THE SADDLE.

GREAT.

GREAT.

UM, WE SHOULD GO IN.

YES.

ALL RIGHT.

UM, THANK YOU SO MUCH.

HELEN: SHE'S GREAT, A REAL LIFE-SAVER.

COME ON.

BB: I'M PHONING FROM NORTH WALL POLICE STATION.

I'M JUST WONDERING IF YOU'VE HAD ANY, UH... [CELL PHONE RINGS] [RING] MAN: SIR, THE PHONE.

[RING] [RING] [RING] [RING] CAN WE GET A TRACE?

MAN: ON IT.

[RING] [RING] GO FOR IT.

[RING] [SPLASH] IT'S CUT OUT.

WE GET SOMETHING?

DID WE GET SOMETHING?!

MAN: ONLY A BROAD ZONE, SIR... 10-MILE RADIUS IF WE'RE LUCKY.

[VEHICLE APPROACHING] KARL: BB?

BRITTLE BAY.

IT'S JUST INSIDE THE 10-MILE ZONE.

[SEAT BELT CLICKS] [DOOR OPENS] OK. WE'LL TAKE A LOOK.

Over there.

I saw something.

Karl.

[SPLASH] [PANTING] IT'S NOT HIM.

ELISE, IT'S NOT HIM.

CHECK THE BOAT.

[SLOSHING] ELISE!

ELISE!

GIRL: ELISE!

ELISE, ALLEZ!

ELISE!

UH!

[RADIO CHATTER] I FROZE.

I'M SORRY.

I WAS-- ALL I COULD SEE WAS MY SISTER DROWNING.

KARL: IT'S ALL RIGHT, ELISE.

[DOG BARKING] UH!

[PANTING] [DIALING] KOBA.

YES.

YEAH.

YOU HAVE TO GET ME-- YOU HAVE TO GET ME OUT OF HERE.

OK.

I'M DONE.

YEAH.

NOW.

PHILIPPE: KEEP YOUR QUESTIONS OPEN.

JUST KEEP IT NATURAL, LIKE, UH-- YEAH, LIKE A NORMAL FATHER-AND-DAUGHTER CONVERSATION.

WELL, WE DON'T TALK LIKE THAT.

WE NEVER HAVE.

MAYBE IT'S TIME TO START.

[EKG BEEPING] BOWDEN: THIS DAY WILL HENCEFORTH BE KNOWN AS ROBERT FOURNIER DAY BECAUSE TODAY'S THE DAY WE FIND THE .... ROSA PERSAUD HAS STARTED TALKING TO HER FATHER.

KARL, YOU NEED TO GET OVER TO CALAIS.

AS FOR FOURNIER, WE'VE GOT HIS MUG SHOT PLAYING IN SHORT ROTATION ACROSS EVERY CONCEIVABLE FORM OF MEDIA.

WE'VE GOT PHONE LINES, CCTV, OFFICERS AT EVERY TRANSPORT HUB AND BORDER CROSSING IN EUROPE.

IF HE MOVES, WE'VE GOT HIM.

LAST NIGHT, HE GOT LUCKY, BUT THAT CANNOT, WILL NOT HAPPEN AGAIN.

[CHILDREN SHOUTING] [LAUGHTER] GEMMA: AND THAT'S WHEN I REALIZED HE WAS A TOTAL COCK-LODGER.

[LAUGHTER] SO YOU JUST CHUCKED HIM OUT?

I WAS PRACTICALLY A SINGLE PARENT, ANYWAY, SO I THOUGHT, WELL, I MIGHT AS WELL MAKE IT OFFICIAL, GET THE CHILD MAINTENANCE AND THE BED TO MYSELF.

[LAUGHTER] GOOD FOR YOU.

WHAT ABOUT YOUR SON'S DAD?

DAVID.

OH, HE WAS ANOTHER ONE.

HE DID A MIDNIGHT FLIT WHEN JAMIE WAS JUST A LITTLE BABY.

OHH.

ARE YOU STILL IN TOUCH?

NO.

[CELL PHONE RINGS] OH.

SAVED BY THE BELL.

HA HA HA!

AH, YEAH.

OH, IT'S MY HUSBAND.

I BETTER TAKE IT.

KARL, WHAT'S UP?

HOW DID THE INTERVIEW GO?

UH, YEAH.

GOOD.

GOOD.

I THINK I GOT MY POINT ACROSS.

YEAH?

MORE FODDER FOR YOUR TWITTER TROLLS, THEN?

ACTUALLY, THAT'S ALL GONE QUIET.

I THINK THEY GOT BORED.

YEAH.

MAYBE.

UM, LOOK.

I...HAVE TO GO BACK TO FRANCE AGAIN.

NOT SURE WHEN I'M GONNA BE BACK.

OK. NO WORRIES.

[GEMMA AND HELEN LAUGH] WHERE ARE YOU?

ACTUALLY, I'M IN THE PARK HAVING LUNCH WITH SOME FRIENDS.

FRIENDS?

THAT'S NEW.

YEAH.

IT'S CALLED GETTING MY LIFE BACK.

HA HA HA!

HA HA HA!

SO ANYWAY, IF YOU'RE DONE, I THINK I SHOULD PROBABLY GET BACK TO THEM.

OH, OK.

I'LL SEE YOU LATER.

HA HA HA!

HA HA HA!

LAURA: WHAT KIND OF A MAN WALKS OUT ON A NEWBORN BABY?

ONE YOU'RE BETTER OFF WITHOUT.

YEAH.

HEH.

NOT SURE I COULD BE SO SANGUINE ABOUT IT.

WELL, THAT'S LIFE, ISN'T IT?

YOU'RE GOING ALONG, HAPPY AS LARRY.

THEN OUT OF NOWHERE, SOMETHING COMES ALONG AND HITS YOU IN THE TEETH.

BAM.

EVERYTHING YOU TOOK FOR GRANTED IS GONE.

NOTHING MAKES SENSE ANYMORE.

SORRY.

I'M BANGING ON.

NO, NO, NO.

HOW DID YOU GET OVER THAT FEELING OF NOTHING MAKING SENSE?

I DON'T KNOW.

JUST KEEP PUTTING ONE FOOT IN FRONT OF THE OTHER, DON'T YOU?

RIGHT.

SHOULD WE GO AND GET THAT ICE CREAM?

YEAH.

HA HA!

HA HA!

COOL.

A TOUCHING LITTLE SCENE.

WHAT HAVE I MISSED?

QU'EST CE QUI SE PASSE?

UH, NOT MUCH, ACTUALLY, EXCEPT SEPTICEMIA IS CONFIRMED.

I--I HEAR THE DOCTOR.

HE SAY THAT.

WHAT DOES THAT MEAN?

IT MEAN SHE COULD GO INTO SEPTIC-- SEPTIC SHOCK.

YEAH.

AND IN HER CONDITION, IT'S 50/50.

YOU'RE MAKING ME COLD.

STOP IT.

YOU'RE BURNING UP.

ROSA: OH, JUST LEAVE.

COME ON.

ASK HER ABOUT FOURNIER.

ROSA, IT'S-- IT'S NOT TOO LATE.

OH, FOR YOU TO BE A FATHER?

FOR YOU TO HELP YOURSELF.

IF YOU TELL THEM EVERYTHING-- TELL THEM THAT ROBERT MANIPULATED YOU.

EVERYTHING I DID, I DID BECAUSE I WANTED TO, BECAUSE I WANTED TO ACT, JUST LIKE YOU TAUGHT ME.

ROSA-- YEAH.

YEAH.

ROSA.

YOU NAMED ME AFTER A WOMAN WHO WOULDN'T GIVE UP HER SEAT ON THE BUS.

YOU WANTED ME STRONG LIKE HER.

WELL, HERE I AM, DAD.

YOU NAMED ME.

YOU MADE ME.

I DIDN'T MAKE YOU A KILLER.

OH, I'M SORRY TO DISAPPOINT YOU.

IT'S OK.

I'M NOT PROUD OF YOU, EITHER.

WHAT HAVE I DONE?

YOU TOOK THEIR COIN.

KARL: WE'RE NOT GONNA GET ANYTHING NOW.

FROM NOW ON, IT'S "THE ROSA PERSAUD SHOW."

DO YOU WANT ME TO TELL YOUR LITTLE POLICE FRIENDS THE REAL REASON WHY I WENT WITH ROBERT FOURNIER?

YES.

I WENT WITH HIM BECAUSE...

I WANTED TO SEE IF MUM WAS RIGHT ABOUT HIM HAVING A MASSIVE .... SHE WAS.

WHERE IS HE?

HE'S COMING TO GET YOU.

OHH... [GULLS SQUAWKING] YOU DIDN'T ANSWER MY TEXT.

I WAS WITH MY BOYFRIEND.

OF COURSE.

SIMPLY BECAUSE TWO PEOPLE HAVE SOMETHING IN COMMON, IT DOESN'T MAKE THEM FRIENDS... OF COURSE NOT.

AND IT DOESN'T MEAN THAT ONE PERSON CAN SHOW UP AT THE OTHER PERSON'S WORKPLACE.

PAUL'S MOTHER RECEIVED A MESSAGE THAT HIS PERSONAL EFFECTS HAD BEEN RELEASED.

SHE ASKED ME TO COLLECT THEM.

THAT'S WHY I'M HERE.

IT'S NOTHING TO DO WITH YOU, BUT I DID SEND YOU THE BOOK BECAUSE YOU SAID THE OTHER DAY THAT YOU DIDN'T HAVE A COPY.

I SAID I HADN'T READ IT.

IT'S NOT THE SAME THING.

IN REAL LIFE, LONG-LOST TWINS DO NOT FIND EACH OTHER.

IN MY EXPERIENCE, WHEN A TWIN IS LOST, IT'S A PERMANENT SITUATION.

I'M SORRY.

I DIDN'T THINK.

[ZIP] THE...SHOP YOU BOUGHT IT FROM WILL HAVE A RETURN POLICY.

[DISTANT SIREN] I NEVER HAD THE CHANCE TO TALK ABOUT MY BROTHER, AND I THINK IT'S THE SAME WITH YOU AND YOUR SISTER, BUT I DON'T WANT TO CAUSE YOU ANY PROBLEMS, SO IF YOU CHANGE YOUR MIND ABOUT OUR FRIENDSHIP, CALL ME.

SONNY: WHAT WAS THIS EVER ABOUT?

I DON'T NEED TO JUSTIFY MYSELF TO YOU.

SWEETHEART, THIS MIGHT BE THE ONLY CHANCE YOU HAVE TO BE HEARD.

AH, WHY?

AM I DYING?

I'M NOT SCARED.

THAT'S GOOD... BECAUSE THERE'S NOTHING TO FEAR...

EXCEPT THAT YOU DIE WITHOUT REVEALING THE PURPOSE OF DEFENSE BECAUSE THEN ALL OF THIS WILL HAVE BEEN FOR NOTHING.

TYPICAL ROBERT FOURNIER... ILL-THOUGHT-OUT, INCONSISTENT, SLOPPY WORK.

NOT SO SLOPPY.

HE PULLED THAT PLANE RIGHT OUT OF THE SKY.

GOT HIM.

GET IN.

ROSA: HE DID THAT.

SONNY: WHAT DO YOU MEAN?

HE MADE THE PLANE CRASH?

WHY?

WHY WOULD HE DO THAT?

WE DID IT FOR KOBA.

KOBA?

WHAT--WHAT--WHAT-- COBRA IS A GOVERNMENT COMMITTEE-- SH--SHE CAN'T MEAN-- GET YOUR BOYS TO REWIND.

BRING IT UP IN THE MIX.

I WILL DO THAT.

TELL ME ABOUT COBRA.

WHY?

SO YOU CAN GO TO YOUR POLICE FRIENDS... [SIGHS] BE A HERO?

YOU.

I'M NOT SCARED.

I'M NOT SCARED.

I'M NOT SCARED.

I'M NOT SCARED.

ROSA, ROSA-- I'M NOT SCARED.

[PANTING] OHH... ROSA?

[ALARMS BEEPING] ROSA?

MAN: ON LA MET SUR LE DOS TOUT DE SUITE.

NO.

NO, NO.

NO MORE.

NO MORE.

I NEED TO SPEAK TO HER.

NO MORE.

NO MORE.

NO MORE!

[BEEPING STOPS] COBRA?

A SNAKE, A BEER, THE BRITISH GOVERNMENT EMERGENCY COMMITTEE.

YOU DON'T THINK-- NO.

SHE LIKED TO THROW UP MISDIRECTIONS, DIDN'T SHE?

WELL, I SAW THE FEED.

SHE WAS PRETTY SICK.

MAYBE THE LAST THING SHE TOLD HER FATHER WAS TRUE.

LAST THING SHE TOLD HER FATHER WAS, "... YOU," BASICALLY.

BUT HER TONE WAS BOASTFUL.

SHE WAS STILL TRYING TO IMPRESS HIM.

YEAH.

WELL, WE NEED TO ANALYZE THE FEED, DON'T WE?

I'M GONNA BRING IN VANESSA HAMILTON.

LITTLE CIGARS?

YEAH, AND THE ROBERT FOURNIER CONNECTION.

SHE SIGNED FOR THE HOUSE, REMEMBER?

I'VE ALSO ASKED BB TO TRY AND BREAK INTO STEFAN CYZRKO'S INVESTIGATION FILES, BUT HE IS HAVING A LOT OF DIFFICULTY.

WHY?

HE CAN'T BREAK INTO THE ENCRYPTION CODE ON THE PASSWORD.

SECURITY LEVEL'S UNUSUALLY HIGH, APPARENTLY.

HE'S STILL TRYING, THOUGH.

[DOORBELL RINGS] MORNING.

HI.

HOW'S THE HOUSE OF PESTILENCE?

UM-- SORRY.

IT WAS A JOKE.

IT'S PROBABLY A BIT EARLY.

OH, NO, NO.

SORRY.

IT'S JUST, I WAS EXPECTING HELEN.

SHE WAS GONNA PICK UP THE DESIGN FOR THE NEW FLIERS.

YEAH.

I KNOW.

THAT'S WHY I'M HERE.

WELL, IT'S ON MY WAY, ISN'T IT, SO-- OH, RIGHT.

OK.

SORRY.

COME IN.

SORRY.

OH, NO.

I DIDN'T REALIZE YOU LIVED OVER THIS SIDE OF TOWN.

YEAH, YEAH.

OH.

WOW.

THIS IS GREAT.

OH, THANKS.

YEAH.

WE GOT LUCKY.

DID YOU DESIGN THIS?

UH, SOME OF IT, YEAH, BUT IT'S-- OH, I WOULD LOVE A KITCHEN ISLAND.

HA HA HA!

OH, YEAH.

HA HA!

BEEN DRAWING UP A-- A WISH LIST FOR WHEN I MOVE IN WITH FOREVER MAN.

OK. GOOD.

HA!

CAN'T WAIT.

STICK THIS ON A PEN DRIVE FOR YOU.

IT'S CLEAN, AS WELL.

CAN'T BELIEVE ANYONE COULD CATCH ANYTHING IN THIS HOUSE.

I DON'T THINK IMPETIGO WORKS LIKE THAT.

NO.

HA HA HA!

I JUST MEANT, YOU KNOW, YOU CAN'T TELL, CAN YOU?

THINGS LOOK SO PERFECT.

UNDERNEATH, THEY'RE A BIT...ROTTEN.

DAVID ALWAYS WAS A STICKLER FOR A CLEAN HOUSE.

THEY SAY MEN DON'T CHANGE.

LOOKS LIKE THEY'RE RIGHT.

I'M NOT REALLY FOLLOWING.

DAVID, REMEMBER?

MY SON'S DAD, THE ONE THAT DID THE MIDNIGHT FLIT.

UM, SORRY TO RUSH YOU OUT.

JUST, I'M WORKING FROM HOME AT THE MOMENT, SO...SORRY.

NO.

ACTUALLY, IT'S ME THAT'S SORRY.

WHAT'S THAT?

IT'S DAVID.

WE COULD'VE MET AT MY PLACE, MUCH MORE COMFORTABLE.

KARL: FOR WHOM?

SO A PROPERTY- FINDING BUSINESS AND A DATING AGENCY.

THAT'S A PRETTY DIVERSE CV.

NOT REALLY.

IT'S ALL SALES.

ANYWAY, I DON'T DO PROPERTY ANYMORE.

THE BOTTOM'S ABOUT TO FALL OUT OF IT.

OH, SO THE DATING AGENCY'S YOUR MAIN SOURCE OF INCOME?

YES.

ARE YOU GOOD AT IT?

I LIKE TO THINK SO.

MANY WEDDINGS?

ONE OR TWO, BUT I CAN'T TAKE ALL THE CREDIT FOR THOSE.

ARE YOU TWO TOGETHER?

HEH HEH!

YOU'D BE DYNAMITE.

HA HA!

YOU JUST LOST ALL YOUR CREDIBILITY RIGHT THERE.

OH, IT'S NOT AN EXACT SCIENCE.

IT'S NOT A SCIENCE.

SO IS THERE MUCH MONEY IN IT, THEN, THIS DATING GAME?

THINKING OF A CAREER MOVE?

PLEASE ANSWER THE QUESTION.

I WAS BROUGHT UP TO BELIEVE THAT TALKING ABOUT MONEY IS VULGAR, BUT, YES, I DO OK. KARL: SO IF IT ALL WENT BUST TOMORROW, WHAT WOULD YOU LOSE?

NOTHING EXCEPT MY PROFESSIONAL REPUTATION... HMM.

BUT I DON'T WORK FOR MONEY, DETECTIVE.

OH?

WHAT DO YOU WORK FOR?

WHO DO YOU WORK FOR?

BOWDEN: ROEBUCK?

[APPROACHING FOOTSTEPS] ROEBUCK?

YOU NEED TO DROP THIS.

DROP WHAT, SIR?

DON'T COME THE ... WITH ME.

HER--HAMILTON.

JUST HAVING A CHAT.

I KNOW YOU GOT BB TO TRY AND GET INTO CZYRKO'S FILE.

NO.

DON'T LIE.

FILE'S COME UP FLAGGED.

IT WASN'T BB.

THAT WAS ME.

YEAH, SAYS THE MAN WHO CAN'T ORDER HIS GROCERIES ONLINE.

I PREFER TO SUPPORT MY LOCAL RETAILER.

JUST...

DESIST, OK?

EVERYWHERE I LOOK, HER NAME COMES UP.

YOU NEED TO TAKE A STEP BACK.

VANESSA HAMILTON... IS THE SUBJECT OF AN ONGOING INVESTIGATION.

IT'S GOT NOTHING TO DO WITH KIDS BEING MASSACRED OR COPS BEING SHOT OR AIRPLANES DROPPING INTO THE ENGLISH CHANNEL OR US FINDING ROBERT FOURNIER.

SO WHAT DOES IT HAVE TO DO WITH?

OH, YOU DON'T EVEN KNOW.

IT'S NATIONAL SECURITY, MI6.

IT'S BIGGER THAN US.

BIGGER THAN ROBERT FOURNIER STILL BEING OUT THERE PLANNING WHO KNOWS WHAT?

JUST DO WHAT I DO, KARL-- WHAT YOU'RE ... TOLD.

HMM.

[SPEAKING FRENCH] [BEEP] SHE LEFT.

SOMEONE CAME AND TOOK HER AWAY.

I COULDN'T DO ANYTHING ABOUT IT.

HELLO?

ANYONE HOME?

HELLO?

OH.

HELLO.

[SIGHS] IT'S VERY QUIET IN HERE.

WHERE ARE THE KIDS?

VLADKA'S TAKEN THEM TO THE PARK, AND THEN THEY'RE GONNA COLLECT THE GIRLS FROM SCHOOL.

WHAT, EVEN THE SUPPURATING ONE?

DOES THAT MEAN WE'VE GOT AN EMPTY?

MEANS I'M TRYING TO GET SOME WORK DONE.

WE COULD GRAB 20 MINUTES.

FOR WHAT?

WELL, HAS IT BEEN SO LONG THAT I HAVE TO REMIND YOU?

I DO MISS YOU.

BASTARD!

HOW DARE YOU?

WHOA!

HOW DARE YOU?

WHAT?

GEMMA HEALEY!

WHO?

YOU ..

HER WHEN YOU WERE UNDERCOVER!

YOU ...

HER WHILE YOU WERE PRETENDING TO BE SOMEBODY ELSE.

YOU ...

HER, AND THEN SHE HAD YOUR CHILD, AND THEN YOU ... LEFT HER!

WHOA, WHAT THE-- PRESUMABLY TO GO BACK TO YOUR ... REAL WIFE, WHOEVER THE ... THAT WAS AT THE TIME.

YOU DON'T EVEN ...

TRY TO DENY IT.

BECAUSE IT'S BOLLOCKS!

KARL, PLEASE, PLEASE.

I HAVE SO LITTLE RESPECT FOR YOU LEFT RIGHT NOW, AND I WILL LOSE THE LAST SHRED OF THAT IF YOU TELL ONE MORE ...

LIE.

I'M NOT LYING!

[SOBS] WELL, WHO GAVE YOU THAT?

SHE DID.

WELL, UH, WHERE DID SHE GET IT FROM?

IT DOESN'T MATTER!

DOESN'T ... MATTER.

IT DOESN'T ... MATTER.

YES, IT DOES.

I'M GONNA SORT THIS OUT.

[EXHALES] IT'S TOO LATE.

NO.

LISTEN.

THIS WOMAN-- WHOEVER SHE IS, WHOEVER GAVE YOU THIS, SHE'S LYING TO YOU.

YOU ASK ME ANYTHING ABOUT THAT PERIOD, I'LL TELL YOU EVERYTHING THERE IS TO KNOW.

WHY WOULD I ASK QUESTIONS WHEN I CAN'T BELIEVE THE ANSWERS?

I GUESS WE CAN BOTH STAY HERE FOR THE TIME BEING WHILE WE FIGURE OUT WHAT WE'RE GONNA DO... OH, FOR ...

SAKE.

LAWYERS AND STUFF.

YOU'LL HAVE A BETTER IDEA THAN ME 'CAUSE, WELL, YOU'VE DONE IT BEFORE.

LAURA, COME ON.

I REALLY DON'T WANT YOU TO TOUCH ME RIGHT NOW.

[PANTING] [PHONE LINE RINGS] ERYKA, ON PHONE: HELLO?

AM I DISTURBING YOU?

NO.

NO, NOT AT ALL.

I AM JUST HEADING OUT OF THE EUROTUNNEL.

DO YOU WANT TO GO FOR A DRINK TOMORROW?

YES.

I WOULD LOVE TO GO FOR A DRINK...

BUT I AM AFRAID THAT MY KNOWLEDGE OF THE LOCAL BARS IS--IS NOT SO GOOD.

IT'S OK.

I...CAN TEXT YOU A PLACE.

YOU CAN PUT IT IN YOUR SATNAV.

YEAH.

BRILLIANT.

YOU JUST MADE AN AWFUL DAY FEEL A LOT BETTER.

[BEEP] BYE.

[CELL PHONE CLATTERS] [EXHALES] [MAN SPEAKING FRENCH] [VIDEO GAME GUNFIRE] KOBA.

- At the end of series one, I think Elise had learnt to open herself up to the world, and I think Karl had been in a place where obviously he had lost his son and so he'd closed down a bit.

- That beautiful boy.

It's such a waste.

- When we find them at the beginning of season two, they haven't talked for a year, and there's that thing, there's the end of season one between them, her opening up to friendship and someone else really, with Karl.

- I think there's still the same, slightly bewildered fondness, that Karl has for her.

- What's that?

- Bonjour to you, too.

- I think as characters, Karl and Elise, work really well together.

I think there's trust there, I think he trusts her, implicitly, and I think that she trusts him too.

That comes out of experience.

It was certainly hard won, in series one, but I think we benefit from that.

We have that as a given at the start of series two.

- What I really value in Karl and Elise is that there's not a will they won't they, there's no sexual tension between them, and I find that massively refreshing.

- Are you two together?

You'd be dynamite.

- You just lost all your credibility right there.

- It's not an exact science.

- It's not a science.

- It's actually brotherly sisterly, and I love that in series one and I think that's what develops in series two.

- Tomorrow we were supposed to be tested for our personality types.

- ENFJ I'd say, a given.

Fun, loving, popular, and sensitive, outstanding people skills.

- Okay you're teasing me now.

- Yes I suppose I am.

- In episode one, I love when they get back together, Karl and Elise.

- I personally get spellbound by Stephen's performance, as he's playing a little imagination game with the soft animals and the pretend mobile phone.

I get locked into that moment and then I'm surprised when I see Elise enter behind him.

(speaking in French) How do you say Winnie the Pooh in French?

(speaking in French) (speaking in French) Excuse moi.

Karl Roebuck.

- Louise Renard.

- And you are?

- It's one of those moments I think where the audience, hopefully, will get a little rush when they see the two characters brought back together again, knowing that they're about to start on the investigation that will go across the series.

- You said you were going to leave the police.

- I think Karl is going through a search to find himself.

He's obviously changed his department that he works in.

- You know a little bird tells me you might be coming back to CID, Karl.

- You'd be the last to know BB.

- He's not a detective, and he's just at the beginning of the series on the turn, and hankering for the old excitement of the old job and the thrills of detection.

- Come back to CID Karl.

It's where you belong.

- He's been affected by the death of his son, and I think he's at a place where he's trying to do good in the world, while also trying to find purpose for himself.

- So you sleep in Adam's room.

- I was going through all that stuff remember?

Expose peloton, and I just, uh... - You went back to work instead.

- Yeah, I went back to work.

- I think Elise is trying to learn in her own way, as well.

I think she's learnt from Karl about how to open herself up to the world a little bit, and it's interesting to see her in a managerial training course, where she's being taught how to empathize with her workers.

(Speaking in French) - When Elise obviously changes, we give her this very strong, emotional journey.

- It's been interesting to go on that journey with her I guess, and to sort of explore a whole different side of her.

To discover it with her really, because I don't think she was aware she had it.

I've felt like I've learnt a little bit about her, and I feel like we took the Karl and Elise relationship somewhere else, which was my main question.

You okay?

- Yeah I'm fine, stop asking.

I like the scenes where Elise and I can play our relationship.

It's like trying to get that in all the time, in all the procedural scenes, and sometimes you get the chance to do it better than others and that's, it's great fun to play when you can.

- You're my best friend.

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